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    <title>Editor's Introduction</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.editor.html</link>
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    <title>Love, History, and Max Ophuls: Repetition and Difference in Three Films of Doomed Romance</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.mulvey.html</link>
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    <title><i>Modular Narratives in Contemporary Cinema</i> by Allan Cameron, and: <i>Abandoned Images: Film and Film's End</i> by Stephen Barber, and: <i>Technologies of History: Visual Media and the Eccentricity of the Past</i> by Steve F. Anderson (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.lemahieu.html</link>
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    <title><i>Soul Searching: Black-Themed Cinema From the March on Washington to the Rise of Blaxploitatation</i> by Christopher Sieving (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.reid.html</link>
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    <title><i>Radio in the Movies: A History and Filmography, 1926-2010</i> by Laurence Etling (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.chan.html</link>
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    <title><i>Under a Bad Sign: Criminal Self-Representation in African American Popular Culture</i> by Jonathan Munby (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.podair.html</link>
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    <title><i>Hollywood's Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino</i> by Jonathan J. Cavallero (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.holdzkom.html</link>
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    <title><i>Those Girls: Single Women in Sixties and Seventies Popular Culture</i> by Katherine J. Lehman (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.olson.html</link>
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    <title><i>Love and Death in Kubrick: A Critical Study of the Films from Lolita through Eyes Wide Shut</i> by Patrick Webster (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.sperb.html</link>
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    <title><i>Hitchcock's Magic</i> by Neil Badmington (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.macleod.html</link>
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    <title><i>The Hollywood Sign: Fantasy and Reality of an American Icon</i> by Leo Braudy (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.briley.html</link>
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    <title><i>American Horror Film: The Genre at the Turn of the Millennium</i> ed. by Steffen Hantke, and: <i>Dark Directions: Romero, Craven, Carpenter, and the Modern Horror Film</i> by Kendall R. Phillips (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.capitanio.html</link>
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    <title><i>Dark Borders: Film Noir and American Citizenship</i> by Jonathan Auerbach (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.friedkin.html</link>
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    <title><i>Politics and Performance in Post-Dictatorship Argentine Film and Theatre</i> by Philippa J. Page (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.fares.html</link>
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    <title><i>World Film Locations: New Orleans</i> by Scott Jordan Harris (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.ingle.html</link>
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    <title><i>The Vikings on Film: Essays on Depictions of the Nordic Middle Ages</i> ed. by Kevin J. Harty, and: <i>Filming the Middle Ages</i> by Bettina Bildauer (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.aberth.html</link>
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    <title><i>Been Rich All My Life</i> directed by Heather Lyn MacDonald (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.shaker.html</link>
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    <title><i>The Good War and Those Who Refused to Fight It</i> directed by Judith Ehrlich and Rick Tejada-Flores (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.suid.html</link>
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    <title><i>Four Seasons Lodge</i> directed by Andrew Jacobs (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.glassmeyer.html</link>
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    <title><i>Phil Ochs: There But for Fortune</i> directed by Kenneth Bowser (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.rodnitzky.html</link>
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    <title><i>Bastards of the Party</i> directed by Cle "Bone" Sloan (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.witherspoon.html</link>
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    <title><i>Jerome Robbins: Something to Dance About</i> directed by Judy Kinberg (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.edney.html</link>
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    <title><i>The O'Kalem Collection: 1910-1915</i> directed by Sidney Olcott and Peter Flynn (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.ross.html</link>
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    <title><i>L.A. is My Home Town</i> directed by Geoffrey Haydon (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.flanagan.html</link>
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    <title><i>Dancing Dreams</i> directed by Anne Linsel and Rainer Hoffman (review)</title>
    <link>http://muse.jhu.edu/journals/film_and_history/v043/43.1.alvin.html</link>
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